“Having the universe as a stage was a challenge that immediately attracted me. When the challenge is achieved, the real flight comes and the perspective changes… The thought becomes more abstract, almost beyond my reach. It's a huge amount of space to fill, but it's inevitable to want to dive. The original text, by Regina [Guimarães], serves as my guiding thread. I and my team looked at the project as a work in progress, a path of experimentation, discovery and risk. The project involves new and unknown tools, a multitude of tasks yet to be learned. But our desire to project to a dome is great and we can dance upside down, like Fred Astaire or a drifting asteroid. Like the stage, the universe is an abyss” (Leonor Keil).

SCREENED WITH
Immersive 
Oury Jeremy, Briot Antoine 
2019, France, 8’
+
Conscious Existence 
Marc Zimmermann 
2018, Germany, 12’  
+
Áróra 
Tommy Caron, Sarah Ouellet 
2019, Canada, 21’