Screening within the Porto Summer School on Cinematic Art (Católica.Porto)
Q&A and talk with Filipa César and Sabeth Buchmann

Amílcar Cabral was aware of the importance of another cinema as an instrument of decolonization and therefore encouraged the formation of the first directors of Guinea Bissau as Flora Gomes and Sana na N'Hada that appear here in this collective film but where the protagonist is the images of the archive of the Institute of Cinema raised after years of oblivion, subject to moisture and heat, lost and now, as a matter of the film, also restore the restless memories of the struggle for independence and the years of the creation of a post-independence Guinea. (António Pinto Ribeiro)